In Code Bernard Dionysius Geoghegan reconstructs how Progressive Era technocracy as well as crises of industrial democracy and colonialism shaped early accounts of cybernetics and digital media by theorists including Norbert Wiener, Warren Weaver, Margaret Mead, Gregory Bateson, Claude Lévi-Strauss, Roman Jakobson, Jacques Lacan, Roland Barthes, and Luce Irigaray. His analysis ...(展开全部)

In Code Bernard Dionysius Geoghegan reconstructs how Progressive Era technocracy as well as crises of industrial democracy and colonialism shaped early accounts of cybernetics and digital media by theorists including Norbert Wiener, Warren Weaver, Margaret Mead, Gregory Bateson, Claude Lévi-Strauss, Roman Jakobson, Jacques Lacan, Roland Barthes, and Luce Irigaray. His analysis ...(展开全部)

These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andre Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is disc...(展开全部)

These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andre Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is disc...(展开全部)

Alexander R. Galloway (born 1974) is an author and professor in the Department of Media, Culture, and Communication at New York University. He has a bachelor's degree in Modern Culture and Media from Brown University and earned a Ph.D. in Literature from Duke University in 2001. Galloway is known for his writings on philosophy, media theory, contemporary art, film, and video ga...(展开全部)

Alexander R. Galloway (born 1974) is an author and professor in the Department of Media, Culture, and Communication at New York University. He has a bachelor's degree in Modern Culture and Media from Brown University and earned a Ph.D. in Literature from Duke University in 2001. Galloway is known for his writings on philosophy, media theory, contemporary art, film, and video ga...(展开全部)

Fredric Jameson's The Years of Theory introduces the major themes of French theory, including existentialism, structuralism, poststructuralism, semiotics, feminism, psychoanalysis, and Marxism. In a series of accessible lectures, Jameson places this effervescent period of thought in the context of its most significant political conjunctures, including the Liberation of Paris, t...(展开全部)

Fredric Jameson's The Years of Theory introduces the major themes of French theory, including existentialism, structuralism, poststructuralism, semiotics, feminism, psychoanalysis, and Marxism. In a series of accessible lectures, Jameson places this effervescent period of thought in the context of its most significant political conjunctures, including the Liberation of Paris, t...(展开全部)

内容 致谢/ix 导论：法语中的黑格尔和苦恼意识/1 1. 人类学转向/9 2. 泛-悲剧主义/19 3. 存在主义的抗辩：瓦尔和冯达纳/33 4. 否定性的使用：布勒东和列斐弗尔/53 5. 巴塔耶：失业的否定性/71 6. 萨特哲学中的苦恼意识/93 7. 苦恼意识的持存：德里达/119 8. 超越黑格尔？德勒兹，福柯与新经验主义/147 结论：苦恼意识的法国事业/175 注释/179 参考书目选录/217 索引/235